Blue Portland is like a blues band.
You don’t start at the main stage in the Waterfront Blues Festival.
You don’t always have a limousine ready to jump into after playing your set.
That’s Portland carrying its guitar in a gunnysack, headed on down to the railroad tracks.
The first stage of Portland Blue is getting everyone on the same page.
Like a blues band on stage, there’s the gathering at the agreed upon time, there’s the lineup, there’s the tune up, there’s the song list.
All ready.
One. Two. Three. Four.
Sing Your Song In Blue Portland
You can be a voice in the wilderness giving directions home.
If that’s you, get a pair of bib overall shorts, a big hat, and a pair of Emmylou Harris red cowboy boots.
And bring a voice that pierces through the crowd like a jet ski on the Willamette.
Or you can join with other song birds in Las Vegas big-room shimmer.
Like Portland Blue, bands come in every shape and size and sound.
What happens when three ladies sing and dance, mixing harmony with twisting, and shouting?
What happens when the sun sets slowly across the west at the end of hot day?
The heat came from the stage after that.
Whether it’s a full blues roar on the dance floor, or an icon of independence with a nine o’clock start on time, Portland blue pushes for accountability.
It starts slow and gets better, just like Lucinda Williams.
Ken Bodie worked the crowd from the North and South stage, reminding the crowd that Portland is back, that the Portland rebound is secure.
His report included sponsors from liquor, wine, and beer companies, which makes sense at a music festival.
What doesn’t make sense is how the whole event runs at a sobering pace.
Get in, set the tempo, finish big, and get off the stage.